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<title>Pete Salsich III - Owners, Borrowers &amp; Thieves 2.0</title>
<link>http://iplitigator.huschblackwell.com/pete-salsich-iii.html</link>
<description>Pete Salsich III is an intellectual property litigator with a diverse practice involving entertainment and creative rights protection, including copyright and trademark litigation, licensing and royalty disputes, trade secrets, unfair competition, defamation, and rights of publicity and privacy.  He obtained a defense verdict for a major toy company in a long-running Right of Publicity/First Amendment case in Missouri involving hockey players and comic books, and is listed in The Best Lawyers in America in the category of Entertainment Law.  He clerked for Hon. Paul Kelly of the Tenth Circuit Court of Appeals, and before practicing law, he was an accomplished illustrator who created, among other things, the Billiken mascot for the St. Louis University Athletic Department. </description>
<language>en-us</language>
<copyright>Copyright 2008</copyright>
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<pubDate>Thu, 22 May 2008 10:46:06 -0600</pubDate>
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<title>Owners, Borrowers &amp; Thieves 2.0</title>
<description><![CDATA[<p>Coming soon to a blogoshpere near you . . . </p><p>As regular readers of this blog know, we have often used this space&nbsp;as a means to follow and comment on the continuing tension that results from trying to fit new technologies, new types of content and new content delivery systems into&nbsp;old paradigms of intellectual property law.&nbsp; Sometimes it's <a href="http://fairuse.huschblackwell.com/2007/05/articles/copyright/copyright-class-action-youtube-and-google-face-another-legal-front/">copyright</a>&nbsp;-- for example,&nbsp;YouTube's assault on (or defense behind) the DMCA;&nbsp;&nbsp;sometimes its <a href="http://fairuse.huschblackwell.com/2007/07/articles/and-the-keyword-beat-goes-on/">trademark</a> -- for example, whether Google Keyword ads&nbsp;constitute trademark use for purposes of an infringement claim; sometimes it's even <a href="http://fairuse.huschblackwell.com/2007/08/articles/trademark/comiccon-repackaged-with-expanded-editorial-content/">Comics</a>!</p><p>Recently we've realized that our mutual interest in emerging technologies and how the law practice can adapt to a changing IP environment has been prompting us to&nbsp;adapt our blogging to fit our own new paradigm.&nbsp; We're very&nbsp;excited about some changes that will be coming shortly, including adding&nbsp;a fresh new voice or two.</p><p>We&nbsp;hope we've been <a href="http://thefairuseblog.typepad.com/">&quot;fairly useful&quot;</a>&nbsp;(to borrow Professor Sag's great blog title) so far, and hope you'll check in&nbsp;regularly as we go forward.</p><p>Stay tuned . . . &nbsp;</p>]]></description>
<link>http://iplitigator.huschblackwell.com/2008/03/articles/copyright/owners-borrowers-thieves-20/</link>
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<category>Copyright</category><category>Entertainment</category><category>Fair Use</category><category>First Amendment</category><category>Licensing</category><category>Litigation</category><category>Media</category><category>Music Industry</category><category>Patent</category><category>Right of Publicity</category><category>Trademark</category>
<pubDate>Wed, 12 Mar 2008 15:21:34 -0600</pubDate>
<author>psalsich@Blackwellsanders.com (Pete Salsich III)</author>

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<title>Contracting Away Fair Use Rights: Amazon&apos;s MP3 Store, Lucasfilms and Blanket Licensing</title>
<description><![CDATA[<p>It used to be pretty simple.&nbsp; You went to a record store (or mailed in your record-club form), bought an&nbsp;album or CD, and you owned it.&nbsp; As the owner, you had certain rights--under the First Sale and Fair Use&nbsp;doctrines,&nbsp;you could make a copy for your own personal use, give it away, &nbsp;share it, even sell it.&nbsp;&nbsp;Easy, right?</p><p>Well, the times they are a'changin'.&nbsp;&nbsp;Like many people, I haven't bought a new CD in a long time -- I have all my music on my iPod and download it from iTunes (legally, of course).&nbsp;&nbsp;Now I'm excited about <a href="http://amazon.com/b/ref=amb_link_5542692_1/104-0146630-6878368?ie=UTF8&amp;node=163856011&amp;pf_rd_m=ATVPDKIKX0DER&amp;pf_rd_s=top-1&amp;pf_rd_r=06KZPQ2Z0HA6QVCDHW7P&amp;pf_rd_t=301&amp;pf_rd_p=311500101&amp;pf_rd_i=mp3%20store">Amazon.com's new MP3 Store</a>, which promises cheaper music downloads, better sound, and--most importantly--the music is DRM-free, meaning I can play it on any device.&nbsp; Great!&nbsp; </p><p>But not so fast . . . </p><p>&nbsp;</p>]]><![CDATA[<p>As <a href="http://www.boingboing.net/2007/10/08/amazons-mp3-store-ri.html">Cory Doctorow at Boing Boing points out</a>, Amazon's user agreement -- which is a contract you must accept in order to use the service -- expressly takes away your right to &quot;redistribute, transmit, assign, sell, broadcast, rent, share, lend, modify, adapt, edit, sub-license or otherwise transfer or use&quot; the digital music you have just purchased.&nbsp; In other words, you have to contract away your First Sale and Fair Use rights in order to buy the music.&nbsp; </p><p>This has lead to an interesting discussion about whether Amazon is evil or good&nbsp;-- is it giving DRM-free music with its right hand and taking away legal rights with its left, or is this nothing more than the restrictions that are listed on the back of every CD so we should just be happy that the music is DRM-free?&nbsp; (The comments to Cory's post play this out nicely -- see <a href="http://www.boingboing.net/2007/10/08/amazons-mp3-store-ri.html#comment-42805">here</a>,&nbsp;<a href="http://www.boingboing.net/2007/10/08/amazons-mp3-store-ri.html#comment-42892">here</a> and <a href="http://www.boingboing.net/2007/10/08/amazons-mp3-store-ri.html#comment-43510">here</a> for examples).&nbsp; However, I don't think that's really the issue.</p><p>Leaving aside whether such a user agreement is truly enforceable in every instance, it is a contract, which makes it legally different than the copyright notice on the back of a CD.&nbsp; As others such as&nbsp;<a href="http://www.groklaw.net/article.php?story=20070831145639691">Groklaw</a>&nbsp;and <a href="http://wendy.seltzer.org/blog/archives/2007/04/25/foul_ball_baseballs_copyright_warnings.html">Professor Seltzer</a> have pointed out, the copyright notices on&nbsp;CDs (or at the start of a movie or DVD, or&nbsp;during&nbsp;the broadcast of a&nbsp;baseball game) often grossly&nbsp;mis-state&nbsp;the way copyright law actually works, because they ignore Fair Use rights entirely.&nbsp; More importantly in this context, you don't have to sign an agreement saying you agree with the record company's version of copyright law as a condition to purchasing the CD in the store.&nbsp; </p><p>I think this is just the latest example of contract law -- and consumer convenience --&nbsp;stealthily working its way, and&nbsp;potentially wreaking some havoc on,&nbsp;traditional confines of copyright law.&nbsp;&nbsp;It may be easy to use Amazon's new&nbsp;service, and you may not be planning on committing piracy so what's the&nbsp;big deal, but you are signing away some significant rights.</p><p>Another example of this trend is&nbsp;Lucasfilm's&nbsp;program for permitting fans to use Star Wars video in mash-ups with their own creative work.&nbsp; <a href="http://fairuse.huschblackwell.com/2007/09/articles/licensing/empire-declares-truce-with-rebel-alliance/#more">Fellow Fair Use blogger Geoff Gerber has a great post about Lucasfilm's forward-thinking approach</a>.&nbsp; Many have praised George Lucas' vision for seeing a way to embrace fans and make money off of their infringing efforts, but as&nbsp;<a href="http://www.washingtonpost.com/wp-dyn/content/article/2007/07/11/AR2007071101996.html?hpid=opinionsbox1">Professor Lessig has&nbsp;warned</a>, these fans sign away all their rights in order to do so.&nbsp; Another example of trading convenience (and access) for rights, via contract.&nbsp;</p><p>In a different context, but I think in the same vein, earlier this year&nbsp;the <a href="http://www.copyright.com/ccc/home.do">Copyright Clearance Center</a> began offering a new &quot;<a href="http://www.copyright.com/ccc/viewPage.do?pageCode=au143">Annual Copyright License</a>&quot; for educational institutions.&nbsp; A college or university can purchase this&nbsp;blanket license to use a wide variety of content without having to worry about having to obtain permissions, etc.&nbsp; Of course, under Fair Use principles, academic institutions already have the right to use such content for free, but the threat of a lawsuit or uncertainty about how these principles are applied makes the blanket license appear so much more convenient.&nbsp; As <a href="http://thefairuseblog.typepad.com/the_fair_use_blog/2007/07/false-comfort-i.html">Professor Sag points out</a>, however, this could end up having the effect of creating a market for such licenses, ultimately eroding the very Fair Use rights the blanket license supposedly makes it more convenient to exercise.</p><p>First-year law school teaches&nbsp;that contracts are very powerful things, and that the courts don't protect you from making a bad deal.&nbsp; In our increasingly consumer-convenience driven world, we may be making a lot more bad deals than we realize.</p><p>&nbsp;</p>]]></description>
<link>http://iplitigator.huschblackwell.com/2007/10/articles/fair-use/contracting-away-fair-use-rights-amazons-mp3-store-lucasfilms-and-blanket-licensing/</link>
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<category>Copyright</category><category>Entertainment</category><category>Fair Use</category><category>First Amendment</category><category>Licensing</category><category>Media</category><category>Music Industry</category><category>contract</category>
<pubDate>Wed, 10 Oct 2007 10:48:10 -0600</pubDate>
<author>psalsich@Blackwellsanders.com (Pete Salsich III)</author>

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<title>Trademark Trial &amp; Appeal Board Says Internet Is Here To Stay</title>
<description><![CDATA[<p>No, that's not a headline from <a href="http://www.theonion.com/content/index">The Onion</a>.</p><p>In a recent precedential opinion, the TTAB held that evidence from the immensely popular online encyclopedia <a href="http://en.wikipedia.org/wiki/Main_Page">Wikipedia</a> can be admitted even though -- by its very nature -- such evidence may be unreliable.&nbsp; <em>See</em> <a href="http://fairuse.huschblackwell.com/TTAB Wikipedia Opinion.pdf"><strong><em>In re IP Carrier Consulting Group</em></strong>, TTAB, Serial No. 78542726 (June 18, 2007).</a>&nbsp;&nbsp; At issue were applications to register two trademarks: &quot;ipPICS&quot; for online image services and &quot;ipPIPE&quot; for communications services.&nbsp; The PTO rejected both applications on the grounds that they were merely descriptive of the services provided.&nbsp; In doing so, it relied in part on numerous online and print sources showing that the abbreviation &quot;ip&quot; was commonly used to refer to &quot;Internet Providers&quot; such as the applicant.&nbsp; On appeal to the Board, the applicant cited&nbsp;<a href="http://en.wikipedia.org/wiki/Internet_service_provider">Wikipedia's entry on &quot;Internet Service Provider&quot;</a> to show that the most common abbreviation for Internet Provider was &quot;ISP&quot;, not &quot;IP.&quot;&nbsp; The Board accepted and considered the Wikipedia evidence, but still affirmed the examiner's descriptiveness finding and refused the applications.</p><p>In the process, the Board spent some time discussing the relative merits of evidence from Wikipedia and other user-edited online sources and concluded that the fact that such sources may sometimes be unreliable does not make them automatically inadmissible, provided the non-moving party has an opportunity to introduce rebuttal evidence.</p><p>Does this make sense?&nbsp; <a href="http://thettablog.blogspot.com/2007/07/precedential-no-44-ttab-says-wikipedia.html">John Welch at the TTABlog doesn't think so</a>.</p>]]><![CDATA[<p>The TTABlog is one of the very best resources for staying on top of developments at the TTAB, and it's no surprise that Welch has been following this issue for more than a year.&nbsp; In posts <a href="http://thettablog.blogspot.com/2006/07/inta-writes-to-pto-wikipedia-and.html">here</a> and <a href="http://thettablog.blogspot.com/2006/07/acronym-finder-responds-to-ttablog.html">here</a>&nbsp;from last July, he points out the myriad problems with admitting evidence from inherently unreliable online sources such as Wikipedia and <a href="http://www.acronymfinder.com/">Acronym Finder</a>.&nbsp; </p><p>In this case, the Board justified its consideration of the Wikipedia evidence in part&nbsp;by relying on corroborating evidence from other, more reliable sources and stated:</p><blockquote><p>&quot;As a collaborative online encyclopedia, Wikipedia is a secondary source of information or a compilation based on other sources. . . . The better practice with respect to Wikipedia evidence is to corroborate the information with other reliable sources, including Wikipedia's sources.&quot;</p></blockquote>
<p><a href="http://fairuse.huschblackwell.com/TTAB Wikipedia Opinion(1).pdf">Opinion at 11</a>.&nbsp;&nbsp;At the TTABlog, <a href="http://thettablog.blogspot.com/2007/07/precedential-no-44-ttab-says-wikipedia.html">Welch asks&nbsp;the question</a>:</p><blockquote><p>&quot;If corroboration is required, why not discard the Wikipedia evidence entirely and rely on the corroborating evidence? What happens when the corroborating evidence is other Internet evidence? Does such a house of cards provide any real support?&quot;&nbsp;</p></blockquote>
<p><p dir="ltr">I understand and share Welch's concerns about unreliable online evidence--<a href="http://fairuse.huschblackwell.com/INTA Wikipedia letter.pdf">concerns that are shared by INTA as well</a>--but I think there&nbsp;is room in the TTAB's&nbsp;opinion for a reasonable compromise position on this issue.&nbsp; </p><p dir="ltr">Let's face it, online sources such as Wikipedia are here to stay and--warts and all--are increasingly becoming many people's&nbsp;first and only source of information.&nbsp; We're not going to&nbsp;put that toothpaste back in the tube.&nbsp; Believe me,&nbsp;I'm not advocating that courts or adminstrative tribunals like the TTAB should lower their evidentiary standards to accomodate this reality, but in certain circumstances, the very nature of the online source is what&nbsp;makes it reliable.</p><p dir="ltr">For example, in this case,&nbsp;the primary issue was whether the&nbsp;abbreviation &quot;ip&quot; was&nbsp;merely a descriptive term for &quot;Internet Provider&quot; --&nbsp;necessarily then,&nbsp;the examiner ought to be able to consider&nbsp;probably the&nbsp;single largest source of information about how people who use&nbsp;internet providers describe them.&nbsp; I don't think the Board's opinion opens the door for wholesale adoption of Wikipedia entries as learned treatises, but, as the opinion&nbsp;states, such evidence is relevant and can be reliable&nbsp;as&nbsp;evidence <em><strong>&quot;of the way in which a term is being used by the public.&quot;&nbsp; </strong></em><a href="http://fairuse.huschblackwell.com/TTAB Wikipedia Opinion(2).pdf">Opinion at 10</a>.</p><p dir="ltr">The issue is going to come up again, and&nbsp;as practitioners we need to be prepared to&nbsp;deal with it.&nbsp; Like it or not, the internet is here to stay.<br />&nbsp; </p><p>&nbsp;</p>]]></description>
<link>http://iplitigator.huschblackwell.com/2007/07/articles/trademark/trademark-trial-appeal-board-says-internet-is-here-to-stay/</link>
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<category>Legal Practice</category><category>Litigation</category><category>TTAB</category><category>Trademark</category><category>Wikipedia</category><category>evidence</category><category>internet</category>
<pubDate>Fri, 20 Jul 2007 10:16:08 -0600</pubDate>
<author>psalsich@Blackwellsanders.com (Pete Salsich III)</author>

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<title>Settling The IP Litigation Case: A Great New Blog Resource</title>
<description><![CDATA[<p>As should be pretty obvious from most of the posts on this blog, we like to focus on new cases, new industry developments and new technology and how all those new things fit in with old (or at least older) legal constructs.&nbsp;&nbsp; Today I want to draw your attention to a new resource that focuses on the old practice of settling cases.</p><p>I recently discovered <a href="http://www.ipadrblog.com/">The IP ADR Blog</a>, a new blog hosted by Victoria Pynchon, Michael Young, Les Weinstein and Eric Van Ginkel, a group of well-respected alternative dispute resolution specialists in Los Angeles.&nbsp;&nbsp;The blog&nbsp;focuses exclusively on IP litigation/ADR-related issues such as licensing structures, negotiation&nbsp;and IP asset valuation, all with an eye on getting litigating parties out of the courtroom and back to business.&nbsp;&nbsp;Often one&nbsp;of the&nbsp;biggest challenges we face when&nbsp;advising clients involved in IP disputes is&nbsp;not letting the legal issues get in the way of seeing the business realities.&nbsp; From what I've seen so far, The IP ADR Blog&nbsp;looks like it's going to be a great resource in meeting this challenge.</p><p>As <a href="http://www.ipadrblog.com/2007/07/articles/cat18937/ip-adr/welcome-to-the-ip-adr-blog/">Victoria Pynchon says in one of the first posts</a> on the blog:</p><blockquote><p>&quot;Collaboration and reciprocity are the by-words of the blogosphere and the key to the settlement -- or the effective management -- of complex IP litigation.&quot;</p></blockquote>
<p><p dir="ltr">I agree -- and in that spirit, I look forward to joining the dialogue and learning from these authors.<br /></p>]]></description>
<link>http://iplitigator.huschblackwell.com/2007/07/articles/litigation/settling-the-ip-litigation-case-a-great-new-blog-resource/</link>
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<category>Copyright</category><category>Legal Practice</category><category>Litigation</category>
<pubDate>Mon, 16 Jul 2007 14:59:21 -0600</pubDate>
<author>psalsich@Blackwellsanders.com (Pete Salsich III)</author>

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<title>&quot;Hey! (hey!) You! (you!), I wanna be your lawyer!&quot;</title>
<description><![CDATA[<p>That might be an increasingly popular refrain heard by Canadian pop star Avril Lavigne, who is getting a lot of attention right now for her songwriting practices.&nbsp; Last week, Lavigne was hit with a <a href="http://www.billboard.biz/bbbiz/search/article_display.jsp?vnu_content_id=1003607364">copyright infringement lawsuit</a>&nbsp;over her song &quot;Girlfriend.&quot;&nbsp; The plaintiffs are the founder and former road manager of the '70's pop band the <a href="http://en.wikipedia.org/wiki/The_Rubinoos">Rubinoos</a>.&nbsp; They claim that Lavigne's hit infringes their&nbsp;1978 release &quot;I Wanna Be Your Boyfriend.&quot;&nbsp;&nbsp;As you would expect, you can already find many comparisons on <a href="http://www.youtube.com/watch?v=kPRgZ_wrUpE">YouTube</a> and elsewhere, including the <a href="http://www.rubinoos.com/">Rubinoos own website</a>.&nbsp;&nbsp;(Of course, all those who posted snippets of both Lavigne's and the Rubinoos' copyrighted music on YouTube and elsewhere should have a fair use right to do so, as long as they only used as much of the songs as was necessary to facilitate their commentary.)&nbsp; Eminent copyright scholars like <a href="http://williampatry.blogspot.com/2007/07/avril-lavigne-i-wanna-be-your-defendant.html">William Patry</a> and almost everyone else seems to have weighed in on whether the suit has merit.&nbsp; </p><p><a href="http://www.billboard.biz/bbbiz/content_display/industry/e3i4666d48f4972561003441717ce2d13e1">Lavigne publicly responded this week</a> by essentially asserting a &quot;no access&quot; defense -- that is, she claims she never heard the Rubinoos' song, so couldn't possibly have copied it.&nbsp; Curiously, Lavigne does not say whether her co-writer, producer/remixer Dr. Luke, ever heard the song.</p><p>The &quot;never heard it&quot; defense won't help Miss Lavigne out of her most recent copying flap, however.&nbsp; In the last two days, similar copying claims have surfaced regarding another of her songs, &quot;I Don't Have To Try.&quot;&nbsp;&nbsp;This time Lavigne allegedly copied the song &quot;I'm The Kinda&quot;&nbsp;by&nbsp;<a href="http://www.youtube.com/watch?v=tPKb-8akv0E&amp;mode=related&amp;search=">Peaches</a>, an artist (and song) that Lavigne recently publicly stated was one of her biggest influences.&nbsp; </p><p>I'm no musicologist, but at first blush both claims appear to have some merit, and they can't be good for the young pop star's reputation.&nbsp; It may be&nbsp;great to be in&nbsp;<a href="http://www.rollingstone.com/rockdaily/index.php/2007/07/10/did-avril-lavigne-bite-a-peaches-track-too/">Rolling Stone</a>&nbsp;and on <a href="http://perezhilton.com/?p=1250">Perez Hilton</a>, but there are better ways to be noticed.</p>]]></description>
<link>http://iplitigator.huschblackwell.com/2007/07/articles/copyright/hey-hey-you-you-i-wanna-be-your-lawyer/</link>
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<category>Copyright</category><category>Entertainment</category><category>Litigation</category><category>Music Industry</category>
<pubDate>Tue, 10 Jul 2007 16:04:39 -0600</pubDate>
<author>psalsich@Blackwellsanders.com (Pete Salsich III)</author>

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<title>Copyright Infringement, Digital Devices and Electronic Discovery: Courts Have Random Access Memory Lapses</title>
<description><![CDATA[<p>Beware the RAM . . . </p><p>From <a href="http://fairuse.huschblackwell.com/2007/06/articles/copyright/thoughts-to-ponder-while-camped-out-in-front-of-the-apple-store/">Gary's iPhone</a> to my <a href="http://www.tivo.com/index.html">TiVo</a> to your computer, we've begun to take the existence and use of digital devices almost completely for granted.&nbsp; Most of us never think about the vast amounts of digital data that are being processed through our devices' <a href="http://en.wikipedia.org/wiki/Random_access_memory">random access memory (RAM)</a>.&nbsp; On the most basic (non-technical) level, all digital devices create and very briefly store--often for only fractions of seconds--transient data &quot;buffer&quot; copies of digital information in order to ultimately display and/or process that information for the end user.&nbsp; </p><p>Cool, but so what, right?</p><p>&nbsp;</p>]]><![CDATA[<p>Well, thanks to <a href="http://thefairuseblog.typepad.com/the_fair_use_blog/2007/06/twentieth_centu.html">Professor Matthew Sag's blog (which has a great name, by the way)</a>, we learn that the Southern District of New York recently held that these transient data &quot;buffer&quot; copies are sufficiently &quot;fixed&quot; to constitute individual discreet acts of copyright infringement.&nbsp;&nbsp;<em>See <strong>Twentieth Century Fox Film Corp. v. Cablevision Sys. Corp</strong></em><strong>.</strong>, 478 F. Supp. 2d 607,621-22 (S.D.N.Y. 2007).&nbsp; Professor Sag and a group of 27 other copyright and internet law professors around the country (including <a href="http://www.lessig.org/">Lawrence Lessig at Stanford</a> and <a href="http://law.slu.edu/faculty/profiles/profile.asp?username=mckennam">Mark McKenna at St. Louis University</a>) filed an <a href="http://fairuse.huschblackwell.com/Amicus Brief re transient buffers as copyright infringments.pdf">amicus brief</a> explaining in detail just how misguided and dangerous this ruling is.&nbsp; In a nutshell, if this is the law, every user of a PDA, computer, digital video recorder&nbsp;or cell phone, and by extension every manufacturer of such&nbsp;devices, would be required to obtain permission from every possible&nbsp;owner&nbsp;of any copyrighted information contained or transmitted on these devices <em><u>before</u></em> using them.&nbsp; Obviously such a scenario is completely unworkable, and -- as the professors point out -- is inconsistent with the plain language of the Copyright Act itself, which says that a work&nbsp;is&nbsp;&quot;fixed&quot; when&nbsp;it is &quot;sufficiently&nbsp;permanent or stable to permit it to be perceived, reproduced or otherwise communicated <em>for a period of more than transitory duration</em>.&quot; 17 U.S.C. &nbsp;</p><p>The <a href="http://www.eff.org/">Electronic Frontier Foundation (EFF)</a> and <a href="http://www.cdt.org/">Center for Democracy and Technology (CDT)</a> are fighting a similar battle with the court in <strong><em>Columbia Pictures, Inc. v. Bunnell</em></strong>, Case No. 2:06cv01093 (Central District of California).&nbsp; There, in a case of first impression, the magistrate judge recently issued <a href="http://fairuse.huschblackwell.com/Blog -- Order re RAM Electronically Stored Information(1).pdf">an order</a> holding that information that passes through RAM is &quot;electronically stored information&quot; under Fed. R. Civ. P. 34, and therefore must be permanently stored and produced in response to a discovery request.&nbsp; At issue was a request for production of a data server log containing information about customers who access the defendants' site.&nbsp; The ruling&nbsp;is particularly onerous for the affected parties because it is apparently&nbsp;undisputed that--as part of their privacy policies--the defendants have never kept such a data server log.&nbsp; The court ruled, however, that because the information was temporarily copied and stored in the servers' RAM, it was existing information under the custody and control of the defendants, and thus the discovery ruling did not require the creation of new data.&nbsp;&nbsp;EFF and CDT have filed an <a href="http://fairuse.huschblackwell.com/EFF Amicus Brief re Electronically Stored Server Data.pdf">amicus brief</a>&nbsp;to aide the district judge in reconsidering the magistrate's ruling.&nbsp; A&nbsp;hearing is set for&nbsp;July 23.&nbsp;</p><p>In both of these cases, the courts appeared to rely on an over-simplistic understanding of both RAM technology and the Copyright Act, as well as a controversial 1993 9th Circuit case, <strong><em>MAI Systems Corp. v. Peak Computer, Inc.</em></strong>, 991 F.2d 511 (9th Cir. 1993), which suggested that information passing through RAM is sufficiently &quot;fixed&quot; to be a copy for copyright purposes, without any distinction for or recognition of the truly ephemeral nature of the transient buffer data currently at issue.&nbsp;&nbsp; </p><p>These two cases are getting the attention of amicus writers, and rightly so, but I suspect that they represent&nbsp;only the tip of the iceberg when it comes to such issues, and that we're going to be seeing all sorts of similar attempts to fit digital technology into our analog legal world.&nbsp; It will be interesting to see how these cases turn out&nbsp;and to watch future attempts by the courts to deal with this issue.&nbsp; In the meantime, especially if you are a copyright litigator involved in a federal court discovery battle, beware the RAM.</p>]]></description>
<link>http://iplitigator.huschblackwell.com/2007/07/articles/copyright/copyright-infringement-digital-devices-and-electronic-discovery-courts-have-random-access-memory-lapses/</link>
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<category>Copyright</category><category>Fair Use</category><category>Legal Practice</category><category>Litigation</category>
<pubDate>Mon, 02 Jul 2007 16:25:00 -0600</pubDate>
<author>psalsich@Blackwellsanders.com (Pete Salsich III)</author>

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<title>Copying the Copyright Infringement Complaint: A Sidebar in the YouTube Litigation</title>
<description><![CDATA[<p>The <a href="http://fairuse.huschblackwell.com/2007/05/articles/copyright/copyright-class-action-youtube-and-google-face-another-legal-front/">tri-frontal attack on YouTube's business model</a> spawned an interesting (probably to lawyers only) side skirmish the other day when a second class action complaint was filed by mandolin player and former <a href="http://www.dawgnet.com/">Grateful Dead jammer David Grisman</a>.&nbsp; Grisman, along with his company Dawg Music and his partner Craig Miller, seek to represent a class of other musicians and copyright owners whose works are posted on YouTube without permission or compensation.&nbsp; This filing falls on the heels of the class action complaint filed earlier this month by the English Premier League charging YouTube with massive copyright infringement.</p><p>The allegations in the two complaints are largely the same.&nbsp; In fact, for the most part they are EXACTLY the same.&nbsp; And&nbsp;that raises the question, <a href="http://blogs.wsj.com/law/2007/05/16/is-it-ok-for-lawyers-to-copy-complaints/">asked by the Wall Street Journal Law Blog</a>, whether wholesale copying of a filed complaint--alleging copyright infringement, no less--is itself copyright infringement.&nbsp; Copies of both complaints are posted there.</p><p>This may be a bit of &quot;inside baseball&quot; to non-lawyers, but the blog post, and in particular the extensive comments thread, expose a heated debate that goes beyond the copyright question and touches on significant questions of legal ethics.&nbsp; For example, many lawyers use form books or keep form files of different pleadings that they can lift from when preparing a new filing.&nbsp; This can be very useful and efficient both for the lawyer and the client, and is probably not very controversial when you're talking about a simple appearance form or routine discovery requests.&nbsp; However, what about a 40-page complaint?&nbsp; Even if it contains similar factual allegations and legal theories, don't the lawyer's ethical obligations -- to investigate all the facts he or she alleges, for example -- require some modicum of originality?&nbsp; And what about the bill the lawyer sends to the client? Is it OK to do wholesale copying if you only charge your client for the time it takes you to change the caption and the signature block?&nbsp; </p><p>As to the copyright question, I tend to agree with <a href="http://blog.copywrite.org/2007/05/17/can-attorneys-copy-complaints/">Keith Henning at the copywrite blog</a>.&nbsp; He references an article by Professor Davida H. Isaacs applying a fair use analysis to the copyright question (<em>see </em>Davida H. Isaacs, <em>The Highest Form of Flattery? Application of the Fair Use Defense against Copyright Claims for Unauthorized Appropriation of Litigation Documents,</em> 71 Mo. L. Rev. 391 (2006)) as well as Professor Nimmer, but ultimately concludes that the allegations of fact in a complaint typically do not contain the level of originality required for copyright protection.&nbsp; I don't think wholesale copying of this type is a good (or ethical) practice, but I'm not sure that it is copyright infringement.</p>]]></description>
<link>http://iplitigator.huschblackwell.com/2007/05/articles/copyright/copying-the-copyright-infringement-complaint-a-sidebar-in-the-youtube-litigation/</link>
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<category>Copyright</category><category>Legal Ethics</category><category>Legal Practice</category>
<pubDate>Thu, 17 May 2007 15:58:45 -0600</pubDate>
<author>psalsich@Blackwellsanders.com (Pete Salsich III)</author>

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<title>Copyright Class Action: YouTube and Google Face Another Legal Front</title>
<description><![CDATA[<p>Is YouTube guilty of massive copyright infringement?&nbsp; Or is it protected by the so-called &quot;safe harbor&quot; of the Digital Millennium Copyright Act, 17 U.S.C. 512(c)?&nbsp; Yet another lawsuit now seeks to determine the answer to that question.&nbsp; </p><p>(For a good primer on the DMCA's Safe Harbor provisions, <a href="http://www.chillingeffects.org/dmca512/faq.cgi">see this very helpful FAQ</a> at the internet law collaborative <a href="http://www.chillingeffects.org/">Chilling Effects Clearinghouse</a>.)</p><p>The first big copyright challenge to YouTube's business model came last summer with a lawsuit <a href="http://news.zdnet.com/2100-9588_22-6095736.html">filed by Robert Tur</a>, a Los Angeles photojournalist whose video footage of the beating of Reginald Denny in the post-Rodney King verdict riots in 1992 became world-famous.&nbsp;&nbsp;<em>See</em>&nbsp;<u><em>Robert Tur v. YouTube, Inc.</em></u>, No. 2:06-cv-04436-FMC-AJW, United States District Court for the Central District of California, July 14, 2006.&nbsp; Tur alleged that his Denny footage, along with copyrighted footage of the OJ Simpson chase and other events was posted on YouTube without his consent and viewed more than 1,000 times.&nbsp; YouTube&nbsp;has defended by&nbsp;claiming that it is an Online Service Provider (OSP) protected by the DMCA safe harbor because it is not aware&nbsp;of and does not receive a financial benefit from the presence of infringing works on its site and its notice and take-down provisions meet the statute's requirement that infringing works be quickly removed.&nbsp; YouTube&nbsp;filed a motion for summary judgment on the basis of this defense, which&nbsp;is currently set to be heard on May 21.&nbsp; Tur&nbsp;has also filed a motion for summary adjudication on&nbsp;more narrow grounds,&nbsp;specifically challenging YouTube's claim that it does not receive a financial benefit from the presence of infringing works on its site.&nbsp; This motion is also&nbsp;currently scheduled to be heard on May 21.<strong>&nbsp;</strong></p><p>The second front opened up in March of this year, when Viacom filed suit against YouTube and its parent Google, alleging massive copyright infringement of hundreds of thousands of Viacom properties.&nbsp;&nbsp;<em>See <u>Viacom International, Inc. v. YouTube, Inc.</u></em>, No. 1:07-cv-02103 (LLS), United States District Court for the Southern District of New York.&nbsp;&nbsp;Like <u><em>Tur</em></u>, the <u><em>Viacom</em></u> case will likely turn on&nbsp;whether YouTube's business model fits within the safe harbor provisions of section 512(c).&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </p><p>Most recently, just days&nbsp;after&nbsp;<a href="http://www.washingtonpost.com/wp-dyn/content/article/2007/05/01/AR2007050100518.html">filing its&nbsp;Answer in the Viacom lawsuit</a>, and while it awaits the&nbsp;summary judgment ruling in the <u><em>Tur</em></u> case, YouTube and its parent Google were hit with another legal challenge to its highly successful but highly controversial business model.&nbsp; This time it comes in the form of a <a href="http://fairuse.huschblackwell.com/YouTube Class Action Complaint(2).pdf">class action complaint</a> filed by the Football Association Premier League Limited (the top division of English soccer) and Bourne Co. (an independent music publisher in New York).&nbsp;</p><p>Many of the contours of this&nbsp;lawsuit are similar to <em><u>Tur</u></em>&nbsp;and <u><em>Viacom</em></u>, but the class action approach is a new angle.&nbsp; For one thing, you too might be a class member if you own the copyright or relevant exclusive rights in a registered copyright or certain sound recordings that have appeared on YouTube any time after December 15, 2005.&nbsp; Obviously, that potential class is enormous, and probably renders many of YouTube's most fervent devotees potential plaintiffs against it.&nbsp; I'm not going to try to address all the class certification issues that may come up, but suffice to say that will be a battle in itself.</p><p>One of the main substantive challenges brought by&nbsp;the plaintiffs in all three of these cases focuses on&nbsp;YouTube's claim that it does not derive a financial benefit&nbsp;attributable to the&nbsp;presence of infringing material on its site.&nbsp; YouTube sells advertisements that run along side its video clips, including infringing clips, but these ads are not directly triggered by or connected to any particular video clip, infringing or otherwise.&nbsp; There can be no doubt that YouTube has made huge amounts of money from these ads, and the plaintiffs all argue that YouTube would not be making the money it has but for the presence of so much infringing material on its site.&nbsp; This could ultimately be a decisive factor in these cases, in part because a court could find YouTube outside of the safe harbor without having to address the propriety of its notice and take-down procedures.</p><p>It will be interesting to watch if any more suits are filed, or if other potential plaintiffs will wait for a key ruling in one of these cases.&nbsp; The <em><u>Tur</u></em> case could lead the way depending on how the court rules on YouTube's pending summary judgment motion.&nbsp; While the Central District of California's ruling will not be binding on the Southern District of New York, it will likely carry significant weight.&nbsp; </p><p>Almost certainly aware of this,&nbsp;and obviously interested in the pending motions on YouTube's assertion of the DMCA's safe harbor defense, last week <a href="http://www.hollywoodreporteresq.com/thresq/litigation/article_display.jsp?vnu_content_id=1003581823&amp;imw=Y">Viacom and NBC Universal asked permission to file an amici curiae (&quot;friends of the court&quot;) brief in support of Tur's claims</a> on this issue.&nbsp; According to the court's electronic filing database, however, on Tuesday&nbsp;the court denied this request, finding that the brief was not offered to aid the court in its decision-making (as required for submission of such briefs), but was in reality&nbsp;&quot;an effort by parties engaged in similar litigation against Defendant, to intervene in this case for their own benefit.&quot;&nbsp; Like the rest of us, Viacom and NBC will just have to watch from the sidelines.</p><p>We'll be watching these cases closely, and should have more analysis of some of the specific legal issues later.&nbsp;</p>]]></description>
<link>http://iplitigator.huschblackwell.com/2007/05/articles/copyright/copyright-class-action-youtube-and-google-face-another-legal-front/</link>
<guid isPermaLink="false">http://iplitigator.huschblackwell.com/2007/05/articles/copyright/copyright-class-action-youtube-and-google-face-another-legal-front/</guid>
<category>Copyright</category><category>Entertainment</category><category>First Amendment</category><category>Music Industry</category>
<pubDate>Fri, 11 May 2007 11:53:12 -0600</pubDate>
<author>psalsich@Blackwellsanders.com (Pete Salsich III)</author>

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<title>Trademark &quot;Use&quot; in Metatags and Keywords: The Split Widens</title>
<description><![CDATA[<p><a href="http://fairuse.huschblackwell.com/2007/04/articles/trademark/sponsored-links-and-metatags-the-trademark-wars-round-10/">Mike Kahn had a post recently</a> about the growing split among courts in different Circuits regarding whether use of a competitor's trademark in metatags or keywords was a &quot;use in commerce&quot; under the Lanham Act.&nbsp; Discussing&nbsp;a recent <a href="http://fairuse.huschblackwell.com/Google%20adword%20decision%20(NDCal).pdf">Northern District of California case</a> that found such a use to be actionable, Mike&nbsp;argued persuasively that if the trademark does not appear in the sponsored link or anywhere else in relation to the competitor's products or services, it is not &quot;used&quot; as defined under the Act.&nbsp; </p><p>Today a judge in the&nbsp;Eastern District of New York weighed in on Mike's side of the argument.&nbsp; In <a href="http://fairuse.huschblackwell.com/Site Pro v Better Metal Order.pdf">Site Pro-1, Inc. v. Better Metal, LLC</a>, No. 1:06-cv-06508, EDNY, May 9, 2007, the court found that&nbsp;the defendant's use&nbsp;of the plaintiff's trademark in&nbsp;both metatags and key words in a sponsored search on Yahoo! did not violate the Lanham Act because the trademark did not appear on the defendant's sponsored link, or website,&nbsp;or anywhere else in connection with any products or services offered by the defendant:&nbsp; </p><blockquote><p>&quot;The key question is whether the defendant placed plaintiff's trademark on any goods, displays, containers, or advertisements, or used plaintiff's trademark in any way that indicates source or origin.&nbsp; Here, there is no allegation that Better Metal did so, and therefore no Lanham Act &quot;use&quot; has been alleged.&nbsp; Indeed, the search results submitted as an exhibit to the complaint make clear that Better Metal did not place plaintiff's SITE PRO 1 trademark on any of its goods, or any advertisements or displays associated with the sale of its goods.&nbsp; Complaint, Ex. B.&nbsp; Neither the link to Better Metal's website nor the surrounding text mentions SitePro1 or the SITE PRO 1 trademark.&nbsp; The same is true with Better Metal's metadata, which is not displayed to consumers.&quot;</p></blockquote>
<p>As with Mike's analogy to beer billboards near baseball stadiums in St. Louis and Milwaukee, the court found such use to be simply the latest version of side-by-side advertising.&nbsp; Quoting&nbsp;another district court case from within the Second Circuit,&nbsp;<u><em>Merck &amp; Co., Inc. v. Mediplan Health Consulting, Inc.</em></u>, 431 F. Supp. 2d 425, 427 (SDNY 2006), the court concluded:&nbsp;</p><blockquote><p>&quot; . . . this use is more akin to the product placement marketing strategy employed in retail stores, where, for example, a drug store places its generic products alongside similar national brand products to capitalize on the latter's name recognition.&nbsp; The sponsored link marketing strategy is the electronic equivalent of product placement in a retail store.&quot;</p></blockquote>
<p><p dir="ltr">Once you get past the initial reaction that use of one party's trademark to drive traffic to a competing website somehow just <strong><em>seems </em></strong>wrong, this holding makes sense and is more consistent with traditional trademark principles.&nbsp; This reasoning has not yet taken hold outside of the Second Circuit, however, so for now, at least, the geographic divide on this issue continues.&nbsp; </p><p dir="ltr">&nbsp;</p>]]></description>
<link>http://iplitigator.huschblackwell.com/2007/05/articles/trademark/trademark-use-in-metatags-and-keywords-the-split-widens/</link>
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<category>Trademark</category>
<pubDate>Thu, 10 May 2007 16:30:57 -0600</pubDate>
<author>psalsich@Blackwellsanders.com (Pete Salsich III)</author>

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<title>Fair Use of Presidential Debates: Scorecard Update</title>
<description><![CDATA[<p>Since Professor Lessig and a large bi-partisan group of others issued their call to the Repubican and Democratic National Committees to require television networks to make the video recordings of all Presidential Debates available to the public for free -- either by placing the videos in the public domain or issuing them under a Creative Commons (Attribution) license (<a href="http://fairuse.huschblackwell.com/2007/04/articles/copyright/fair-use-of-presidential-debates-please/">see earlier post here</a>) -- several candidates and two networks have weighed in.</p><p>According to <a href="http://www.lessig.org/blog/">Lessig's blog</a>, Democrats Barack Obama, John Edwards and Chris Dodd have all written strong letters to the DNC announcing their support for this proposal.&nbsp; Apparently there is nothing yet from any of the Republican candidates, and Democrat Hillary Clinton has also remained silent.&nbsp; </p><p>Among the networks, CNN has come out in support of this proposal and has announced that it will place <a href="http://www.cnn.com/POLITICS/blogs/politicalticker/2007/05/cnn-presidential-debate-footage.html">no restrictions on presidential debate footage</a>:</p><blockquote><p>Due to the historical nature of presidential debates and the significance of these forums to the American public, CNN believes strongly that the debates should be accessible to the public. The candidates need to be held accountable for what they say throughout the election process. The presidential debates are an integral part of our system of government, in which the American people have the opportunity to make informed choices about who will serve them. Therefore, CNN debate coverage will be made available without restrictions at the conclusion of each live debate. We believe this is good for the country and good for the electoral process. </p></blockquote>
<p><p dir="ltr">By contrast, Lessig and <em>USA Today's</em>&nbsp;<a href="http://blogs.usatoday.com/onpolitics/">OnPolitics blog</a>&nbsp;are reporting that <a href="http://blogs.usatoday.com/onpolitics/2007/05/cnns_decision_t.html">Fox News Channel will not follow CNN's lead</a> and will not make its video footage available for all to use.&nbsp;</p><p dir="ltr">No word&nbsp; yet from either the RNC or the DNC.&nbsp; Check with Lessig for regular updates -- he's keeping a good scorecard . . .</p>]]></description>
<link>http://iplitigator.huschblackwell.com/2007/05/articles/copyright/fair-use-of-presidential-debates-scorecard-update/</link>
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<category>Copyright</category><category>First Amendment</category><category>Licensing</category><category>Political Speech</category>
<pubDate>Tue, 08 May 2007 13:27:38 -0600</pubDate>
<author>psalsich@Blackwellsanders.com (Pete Salsich III)</author>

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<title>Fair Use of Presidential Debates, please.</title>
<description><![CDATA[<p>Professor Lessig (and a long list of other prominent people) are calling on the Republicans and the Democrats to <a href="http://www.lessig.org/blog/archives/003755.shtml">eliminate unnecessary regulation of political speech</a>, particularly when it comes to Presidential debates.&nbsp; Lessig talks about the increasing uncertainty surrounding the application of copyright laws -- and the confines of the &quot;fair use&quot; defense -- to internet-based forums such as YouTube, and the&nbsp;potential temptation for some politicians to use copyright law as a club to block critical commentary.&nbsp; </p><p>While some might view this as simply an extension of Lessig's well known views in favor of less restrictive copyright laws in general, I think his key point is right here:</p><blockquote style="margin-right: 0px;" dir="ltr"><p>&quot;I am confident that I won&rsquo;t like much of what this freedom will engender. But if that were a legitimate reason to regulate political speech, this would be a very different world. We should all, regardless of our political persuasion, be encouraging a wide ranging debate about our political future. And we all need to hear more from those with whom we disagree.&quot;</p></blockquote>
<p><p dir="ltr">I could not agree more, especially in today's world.&nbsp; Read the whole post and consider adding your voice by contacting the RNC and the DNC directly.</p>]]></description>
<link>http://iplitigator.huschblackwell.com/2007/04/articles/copyright/fair-use-of-presidential-debates-please/</link>
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<category>Copyright</category><category>First Amendment</category><category>Political Speech</category>
<pubDate>Thu, 26 Apr 2007 19:46:14 -0600</pubDate>
<author>psalsich@Blackwellsanders.com (Pete Salsich III)</author>

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<title>Copyrights and Music Downloads: Selling or Licensing?</title>
<description><![CDATA[<p>Confused or conflicted about copyrights and music downloads and the RIAA's aggressive practice of suing its customers?&nbsp; Me too.&nbsp; In fact, I don't know how many times this has happened to me:&nbsp; I'm talking with someone (old friend or brand new acquaintance, it doesn't matter) and it comes up that I am an attorney with a copyright and entertainment practice, and the other person says some version of&nbsp; either &quot;I can't believe the record companies are suing their customers over music downloads&quot; or &quot;I can't believe people think it's OK to just steal music&quot;, etc., etc.&nbsp; I usually just make a serious face and say &quot;well, of course it depends on several factors, and lawyerblah, lawyerblah, lawyerblah . . . &quot;</p><p>I found <a href="http://jefitoblog.com/blog/?p=1179">this post</a> today and I think it neatly sums up the two camps on this issue, and even offers a &quot;modest proposal&quot; for a future &quot;annual license&quot; model as a way to resolve the issue.&nbsp; It's very interesting reading -- well written and thoughtful&nbsp;(along with the comments and internal links).&nbsp; I'm not sure it would work, but it's an example of the kind of creative&nbsp;thinking that becomes necessary when new technology stretches the limits of old legal models.</p>]]></description>
<link>http://iplitigator.huschblackwell.com/2007/04/articles/copyright/copyrights-and-music-downloads-selling-or-licensing/</link>
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<category>Copyright</category><category>Entertainment</category><category>Licensing</category><category>Music Industry</category>
<pubDate>Thu, 26 Apr 2007 14:17:40 -0600</pubDate>
<author>psalsich@Blackwellsanders.com (Pete Salsich III)</author>

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